PUBLICATIONS

Arcana VIII: Musicians on Music - Ten Year Anniversary Edition pp. 22-39
"On Composition and Literature – Pedr Solis, the author and the opera"

Stigmart10 Videofocus Special Edition HDR December 2014, pp. 124-134
Spotlight and interview with myself and Arie Stavchansky about our collaboration on Graveshift

SEAMUS Newsletter, August-October, 2014
"The Electromagnetically-Prepared Piano: an interview with Per Bloland"

Journal of the Society for American Music Vol. 6 Issue 02, May 2012, pp. 258-261
"Wet Ink Ensemble" (CD review)

Journal SEAMUS, Vol. 19 No. 2, Spring 2008, pp. 31-33
"Blood that Sees the Light" (CD review)

Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark, pp. 125-128
“The Electromagnetically-Prepared Piano and its Compositional Implications”

Proceedings of the Third Annual Spark Festival of Electronic Music and Art, University of Minnesota, pp. 10-12
"The Polarized Composer: Addressing the Conflict of Musical Upbringings of Today's Young Composers"

Society of Composers, Inc., Journal of Scores Vol. 37, European American Music Distributors Corporation
Thingvellir

WRITINGS ABOUT MY WORK

"Actuated Acoustic Instruments: Relationships And Mind-Set"
PhD Dissertation by Neil Cameron Britt - contains a section dedicated to my compositions for the Electromagnetically-Prepared Pian

NewMusicBox
"Elsewhere is a Negative Mirror—The Music of Per Bloland"
a Spotlight Session and interview by Trevor Hunter, 2009

NewMusicBox
"Sounds Heard: Eliot Gattegno and Eric Wubbels"
CD review by Brian Sacawa of Intersections, discussing Quintet for Solo Saxophone and Electronics, 2009

Proceedings of the Fourth Annual Spark Festival of Electronic Music and Art, University of Minnesota, pp. 44-46
"Meaning(s) and Structure in The Wondrous Delight of Profound Ineptitude by Per Bloland” – by Jay C. Batzner